Whatever level you are as a photographer, we all should have one thing in common. We should constantly be looking and looking. And after we look, we should be able to see. As I was rushing to the D-Train in Brooklyn, I saw something you don't see very often- a pay phone! I stopped, I picked the camera up, and I make 3 quick frames. 2 vertical, one horizontal. 135 f/2 Singh-Ray High-Intensity. Half a stop overexposed. It may not be an antique, but it'll probably be a buggy whip by the time I go to the dark room in the sky. Oops! I mean the light room in the sky! To all the ships at sea, keep your eyes wide open. Start to see the photograph and then record it.Monday, June 27, 2011
Monochromatic? I don't think so!
Whatever level you are as a photographer, we all should have one thing in common. We should constantly be looking and looking. And after we look, we should be able to see. As I was rushing to the D-Train in Brooklyn, I saw something you don't see very often- a pay phone! I stopped, I picked the camera up, and I make 3 quick frames. 2 vertical, one horizontal. 135 f/2 Singh-Ray High-Intensity. Half a stop overexposed. It may not be an antique, but it'll probably be a buggy whip by the time I go to the dark room in the sky. Oops! I mean the light room in the sky! To all the ships at sea, keep your eyes wide open. Start to see the photograph and then record it.
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